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songs are for sampling. please buy the album if you dig the music. email me at jletton@gmail.com if you would like a song to be removed. i host my songs on a free site, so they will be deleted within 2 weeks of being posted.
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Wednesday, August 29, 2007

Back!

I'm back at school and finally have my external hard drive with access to blogs and last.fm. updates shall return soon!


Saturday, August 18, 2007

Friday Mix!

I'm bored and I haven't gone out yet. I've come to realization that this is a weekly block of (usually) unutilized time. And so I present you with the solution: The Friday Mix:

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Friday, August 17, 2007

Video!



So I'm in love with The National's latest album, Fake Empire. Mistaken for Strangers is a cold, distant, crisp tune that is carried into greatness by both the Interpol-esque bassline and fantastic drumming. My love for this song has only increased given the rainy conditions that have taken hold of Texas all summer. mp3 to come



This video, by Flight of the Conchords is bloody brilliant. that's all, mate.

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Tuesday, August 14, 2007

Caribou! I ♥ you!



So I have a new musician crush and his name is Dan Smith. His stage name is Caribou and I think I've fallen in love. Not only with his dashing good looks and keen sense of color (the ensemble he's wearing above? fucking fabulous), but with the amazing music that he continues to make. When I listen to Caribou, I'm thinking Disney's Fantasia movie soundtracks on an acid trip. The result is really quite brilliant. In Melody Day, the first single from his upcoming Andorra, his soft falsetto creates a world of strange creatures, all hurrying and scurrying about to the flighty flutes and abrasive electronic orchestration that refuses to free its grip on your attention and imagination. I feel ridiculously cliche making a Brian Wilson reference, but its there! If the Zombies had access to modern electronic production and took a few more drugs I think they'd produce something like this. I just can't help but think of Brief Candles when listening to Melody Day. Delicious man. Fantastic Album. Plus anything that makes me think of Fantasia is by default brilliant.

SIDENOTE: WATCH FANTASIA . .. IT WILL CHANGE THE WAY YOU PERCEIVE MUSIC.

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Wednesday, August 8, 2007

The Essentials: Bat For Lashes



This album has blown my fucking mind over and over again. Its of the school that only gets better with increased listening. Her music seemed interesting, but too subtle upon my first listen. I even thought that many of the tracks sounded too similar. But every time I listen I realize how much in love I am with every track. Natasha Khan is the mastermind behind Bat For Lashes. A former art school student (like one of my other favorites M.I.A.) from London, who is of Pakistani origin, her voice has a haunting effect on this album, not unlike Bjork (whom she is often compared to). She infuses her spacey production with touches of medieval instrumentation (harpsichord, harp, tambourine, horse sound bites). Sounds hoakey . . . but believe me she pulls it off. Her muse for the album was a dream in which she relived the experiences of Joan of Arc, which explains the mysticism and stories of riding horses in the night to embark upon magical journies. The album is called Fur and Gold - COP THAT SHIT! Because it is nothing short of amazing (Thom Yorke seems to agree).

Bat For Lashes - Prescilla
Bat For Lashes - Tahiti(edit)
Bat For Lashes - Whats A Girl To Do

Prescilla Video

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Tuesday, August 7, 2007

Click It!: The Hood Internet

If you haven't been over to The Hood Internet, you have not seen the glorious masterpieces that good mash-ups can be. Aside from Girl Talk, its rare that I come across a mash-up, let alone and mash-up artist collective, that doesn't strike me as awkward, uncreative, or just plain annoying. The hood internet manages to continuously create combinations that are not only musically addictive, but come with ridiculous titles like "The Ghostface of You Lingers" (Ghostface vs. Spoon). Plus, all of the tracks are free! You should definately download the Vol. 1 Mixtape and the new Hood Internet vs. The Pack Mixtape. Some of my faves:

Girls Just Wanna Fix Up (Dizzee Rascal vs. Cyndi Lauper)
Some Cut Like A Knife (Trillville feat. Cutty vs The Knife)


Cuntalicious: Amerie - 1 Thing



I was going through old playlists, and came across this gem that I had on repeat when it first came out. The fabulous thing about this song is that it never gets old. The horn section finally gets right what most big artists (beyonce, jloh, etc) continued to fuck up. I, to no surprise, had this on my summer playlist. enjoy!

Amerie - 1 Thing


Jimmy!

Yet another fabulous song from M.I.A.'s Kala, here is the video for Jimmy. A mashup of bollywood and M.I.A.(an?) style that makes a deliciously danceable song come to life in a fabulously gay (and we know how much the gays love some M.I.A.) Technicolor nebula.

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Monday, August 6, 2007

The Essentials: M.I.A.

After a summer spent suffocated by the heat and boredom of texas, I've decided that to pass the rest of the summer (and free time in the upcoming school year) away, I will start a music blog. Many of my friends are constantly asking me for new artists and my ass is tired of burning mix cds. So . . . . It is now my time to embark upon a journey . . . into the music blogosphere.

My first few posts will be dedicated to the summer 'essentials'. The albums that have made me cream my pants over and over again this summer (and i'm a fan of leaks, so you'll have to excuse my reviews of albums that have yet to be officially released)

first contender: M.I.A. - Kala



This album is bloody brilliant. Aside from the fact that M.I.A. is fabulous solely based on personality and the ridiculously colorful aesthetic she has created, this album brings it harder and and with more depth than her breakout, Galang. A few of my faves:

Hit That - Hottest.Song.Ever. Listen to this shit before you go out and you will be all over the next person that gives your lustful stare. Although its not on the album, it should have been. I've heard it wasn't included because of negative responses (god forbid she be politically in your face and in control of her sexuality).

The Turn - This track plays to me, surprisingly, like some of the hip-hop coming out of Houston in the late 90s/early00s. Fabulous

$20 - The slow synth and electro beats of this song fit in well with M.I.A.'s crooning. With lyrics like "like do you know the cost of AKs up in Africa?/$20 ain't shit to you, but that's how much they are" her lyrical skills are, yet again, placed in the context of a strong political message. The production reminds me of Heartbeats by the knife, with a more of a hip-hop influence in the beat itself (I was thinking Missy Elliot-esque, who M.I.A. has collaborated with before). The song is also danceable (for those of us who remember the art of the slow jam dance). Her lyrics even at a sense of bitter humor in them at certain points during the songs "is girls, diamonds helpin' ya?/Don't you like my bandana?/My stains hang low on my shirt like aye aye aye." This song highlights two of the reasons why I love this album so much - the fact that the music and production are amazing and the politically charged lyrics easy to pallet without feeling a part of you die inside (Kanye West also has an ability to do this well . . . Nas' I think i can is an example of when the message can go horribly wrong when watered down with sappy production and cheesy lyrics)

Paper Planes -
A. This song is about her fabricating visas . . . badass in itself
B. The chorus has gunshot and cashregister soundclips, and they actually go with the beat
C. Diplo produced it, and he clearly puts out his best for the girl who has him on a leash . . . Bitch is fuckin' fly
D. The opening lines (we'll see if you get the reference)
" I fly like paper, get high like planes
If you catch me at the border I got visas in my name
If you come around here, I make 'em all day
I get one down in a second if you wait"

Hussel (feat. Afrikan Boy) - this track initially threw me off. The chorus with its monotone synths seemed boring, underproduced, and frankly annoying . But once Afrikan Boy joined M.I.A. with his line "you think its tough . . .come to africa" you realize that the abrasive nature of the track fits in with its central critique of the affects of capitalism. The track is a powerful and in-your-face confrontation with the music (or at least percussion numbers) of a section of the third world with Afrikan Boy taking the song to the next level. I usually find that politically charged songs (especially those in referece to the effects of capitalism in the third world - Africa, sections of the middle east, southeaster asia, etc.) of this nature tend to immediately loose their impact because of the sheer sappy nature of their aesthetic. Usually delivered by a played out musician with no career who has decided to suddenly dedicate their life to cause in lieu of an actual career (because no one seems to care about them *coughbonocough* *coughprincecough*). The brilliance and energy of this song comes from the energy and instantly credible nature of the artists themselves.

(i shall complete this post after my friends leave)

M.I.A. - Bird Flu
M.I.A. - $20

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